This is it. The last post at Central Standard. It's time to retire this little bastard journal of my life, times, and mind.
But, I am not done with blogging. I am just shifting gears, and focusing my recording on a new development in my life (and Monkey's, too). In a few weeks, we will be bringing home a new puppy. He is already named: Parker. So, I have decided, in the tradition of many others before me, to keep a record of the growth and training of our soon-to-be newest addition.
That blog will be found here. Hope to see you there!
Central Standard is now the author's perspective on events topical, historical, personal, and/or irrelevant. A selective commentary. Suitable for ages 14 and over. Some language and adult situations. Visitors, please be aware that this is the author's attempt at humor and satire. Any facts proposed should not be treated as such; any opinions put forward should be taken with as much salt as the reader can handle.
Tuesday, March 23, 2010
Monday, March 01, 2010
The One
Every year at True/False, Monkey and I immerse ourselves in the doc film world. Ten to twelve movies each festival give us plenty to think about afterward. Each year we try to determine which films we liked most and least. Sometimes we disagree. This year, we are in total agreement.
Of course, to say one film was the "best" is perhaps incorrect, or, at best, imprecise. Each of the films was excellent in its own way, and, paradoxically, the one film we both ranked as our favorite is probably the one we'd be least likely to want to see again.
Restrepo was the most moving, intense, awful, amazing film we saw. It deals with a unit in a most dangerous front line position in Afghanistan. As a piece of journalism, it follows a long tradition of front line reporting, but it is told by the soldiers, and effectively interspersed with interviews done several weeks or months after the soldiers had finished their deployments. This gives the film a sense of immediacy and thoughtfulness, as the men who experience what you are witnessing then reflect back upon it. It is haunting and heartbreaking. It is an awesome piece of film, and terrible in its beauty. I recommend it to everyone, not because you need to be entertained by this film, but because you need to be enlightened by it.
Of course, to say one film was the "best" is perhaps incorrect, or, at best, imprecise. Each of the films was excellent in its own way, and, paradoxically, the one film we both ranked as our favorite is probably the one we'd be least likely to want to see again.
Restrepo was the most moving, intense, awful, amazing film we saw. It deals with a unit in a most dangerous front line position in Afghanistan. As a piece of journalism, it follows a long tradition of front line reporting, but it is told by the soldiers, and effectively interspersed with interviews done several weeks or months after the soldiers had finished their deployments. This gives the film a sense of immediacy and thoughtfulness, as the men who experience what you are witnessing then reflect back upon it. It is haunting and heartbreaking. It is an awesome piece of film, and terrible in its beauty. I recommend it to everyone, not because you need to be entertained by this film, but because you need to be enlightened by it.
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